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Safety and Security at Sea is concerned with the safe operation of ships and consequently with preventing errors and oversights. This book contributes to safety where it is most effective - right at the site of work, on board the ship itself. It is here, indisputably, that it will prevent accidents and save lives. It translates theory into practice besides covering several new and current topics. This book is aimed at every deck officer - at every rank and on all ships.

The book also attends to other manifest needs and discusses piracy, stowaways, management of crew on board and several other new and current topics in the interest of safety.

All deck officers will find, when preparing for professional examinations, that the area which the oral section of these examinations at any level (Class One, Two or Three) cover - safety - is the one in which this book specialises. It will be an invaluable aid in passing these exams. By discussing essential details in every part of a voyage, parts that form different subjects in the theoretical section, it becomes an excellent reference book for them. In addition, it will also asist the staff of shipping companies in compiling ship operation manuals.

This book includes the advice of various notices from the Marine Safety Agency and of guidelines from the International Maritime Organisation. It explains their requirements - International safety management code, emergency pollution control plans and others.

In order to deal with ship board work thoroughly, this book takes an entire voyage into account. That is the reason for the sequence of its chapters to correspond to the progress of an actual voyage. The book begins with a ship embarking on a voyage and, in succession, conveys its message in a comfortable language. The last chapter leaves the reader at the beginning of another, but a safer, voyage.

A summary is included at the end of each chapter.

• Sales Rank: #5253542 in Books
• Brand: Brand: Routledge
• Published on: 2000-10-25
• Released on: 2000-10-11
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .62" w x 6.14" l, .90 pounds
• Binding: Paperback
• 272 pages

Features

• Used Book in Good Condition

Review
"this is a remarkable book.....it is one of those few works that deserve a place in every ship, ready to hand at all times and in all circumstances"
Nautical Magazine, February 2001

"... it is highly practical, well written and flags many of the issues that need to be considered when trying to ensure the safety of crew and ship... A useful backgrounder on which to base further research"
Lloyd's List, January 2001

"Safety and Security at Sea is concerned with the safe operation of ships and consequently with preventing errors and oversights. This book contributes to safety where it is most effective - right as the site of work, on board the ship itself." Offshore Engineer, October 2004

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PDF Download Understanding Audio: Getting the Most Out of Your Project or Professional Recording StudioBy Daniel M. Thompson

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(Berklee Guide). Understanding Audio explores the fundamentals of audio and acoustics that impact every stage of the music recording process. Whether you are a musician setting up your first Pro Tools project studio, or you are a seasoned recording engineer or producer eager to find a reference that fills in the gaps in your understanding of audio, this book is for you. Understanding Audio will enable you to develop a thorough understanding of the underlying principles of sound, and take some of the mystery and guesswork out of how equipment setup affects the quality of your recordings. Projects at the end of each chapter will assist you in applying these principles to your own recording environment. Learn about: *Basic and Advanced audio theory *Cables and studio wiring *Recording studio and console signal flow *Digital and analog audio *Studio and listening room acoustics *Psychoacoustics *"In the Studio" insights, relating audio principles to real recording situations About the Author Daniel M. Thompson is Assistant Chair of Music Production and Engineering at Berklee College of Music. An independent writer/producer and recording engineer, his credits include work for major films and television including ER and The Sopranos. He is a member of the National Academy of Recording Arts and Sciences (NARAS), the Audio Engineering Society (AES), and the American Society of Composers, Authors and Publishers (ASCAP). BUZZ "This is probably the best primer on recording fundamentals and techniques that I've ever read. I wish I had a book that was this comprehensive when I started my career. It's simple and easy to understand, and the diagrams are perfect. From basic audio principles to current digital technology, this book has something to offer everybody in the industry. This book should be a requirement for every entry-level engineering student." -Elliot Scheiner, Multi-Grammy-winning engineer and producer (Steely Dan, The Eagles, Sting) "A must for the musician/producer with a home studio. One of the best 'how-to' books available to help put you on the path toward fulfilling your career goals." -Don Puluse, Recording engineer (Chicago, Sly & the Family Stone, Billy Joel) "Presents clear explanations of technical audio topics ranging from microphones to loudspeakers. It concisely delivers the goods that you will need to make better audio recordings. Be sure to thank Thompson when you pick up your Grammy." -Ken Pohlmann, Author, Director of Music Engineering Technology, University of Miami-Florida

• Amazon Sales Rank: #272404 in Books
• Brand: Berklee Press
• Model: 50449456
• Published on: 2005-02-01
• Released on: 2005-02-01
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .85" w x 8.00" l, 1.95 pounds
• Binding: Paperback
• 368 pages

Features

• Getting the Most Out of Your Project or Professional Recording Studio
• Explores the fundamentals of audio and acoustics that impact every stage of the music-making process
• Perfect for musicians setting up their first ProTools project studio or seasoned recording professionals eager to fill in the gaps of their audio knowledge
• 360 pages

About the Author Daniel M. Thompson is Assistant Chair of Music Production and Engineering at Berklee College of Music. An independent writer/producer and recording engineer, his credits include work for major films and television including ER and The Sopranos. He is a member of the National Academy of Recording Arts and Sciences (NARAS), the Audio Engineering Society (AES), and the American Society of Composers, Authors and Publishers (ASCAP).

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Free Download Gratitude, by Oliver Sacks

Free Download Gratitude, by Oliver Sacks

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Review

“A series of heart-rending yet ultimately uplifting essays….A lasting gift to readers….unlike other writers who have reported from the front lines of mortality, Sacks did not focus on his illness, his medical ordeal or spirituality, but on “what is meant by living a good and worthwhile life—achieving a sense of peace within oneself. Sacks not only achieved that peace but managed to convey it beautifully in these essays. He found positive ways to think about everything, including his growing frailty: Perhaps, he suggests in the book’s final pages, he was in the Sabbath of his life, “when one can feel that one’s work is done, and one may, in good conscience, rest.” His tender book leaves readers with a similar sense of tranquility and, indeed, gratitude.” —Heller McAlpin, Washington Post                                  “Elegant….a lovely slim volume.” —Melissa Dahl, New York Magazine“Powerful….The book chronicles the famous author’s thoughts, wishes, regrets, and, above all, feelings of love, happiness, and gratitude even as he faced the cancer that ended his life last year at 82….the material offers incisive, poignant observations….A perfect gift for thoughtful readers, and a title that belongs in science and biography collections.” —Library Journal, *starred review*  “The neurologist and author died of cancer in August. Between 2013 and 2015, he wrote four moving essays, published in The New York Times, reflecting on his life and facing mortality. They are collected in this slim volume, a coda to Sacks’ remarkable career.” —Tom Beer, Newsday   “A book defined by celebration, not sadness.” —Danny Heitman, The Advocate   “This is a worthy little chapbook for the lovers of Oliver Sacks.” —Edith Cody-Rice,  The Millstone   “The volume is tiny—short enough to read easily in one sitting—but it’s huge in heart. Oliver Sack’s just-published book  “Gratitude,” consists of four essays the famous neurologist and chronicler of  human quirks wrote in the months before his death of cancer this summer at 82. It is, in effect, a mini-memoir, a beautiful meditation on what it means to live a good life.” —Sydney Trent, Washington Post   “In these four graceful essays written in the two years before he died, Oliver Sacks looks at life, old age — and death, square in the eye….First published individually in the New York Times, together these pieces form a wise and profound quartet.” —Laurie Hertzel, Minneapolis Star-Tribune   “Gratitude is a bittersweet and absolutely beautiful read in its entirety.” —Maria Popova, Brainpickings.org“A humane look at his own life, and death, told with good humor, acceptance, and that charming gratitude that had such a strong hold on him. If you know his writings, this will bring them to a thoughtful and enlightened conclusion; if you do not, the little book is a not just a farewell but will do for a grand introduction.” —The Dispatch

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About the Author

OLIVER SACKS was born in 1933 in London and was educated at Queen’s College, Oxford. He completed his medical training at San Francisco’s Mount Zion Hospital and at UCLA before moving to New York, where he soon encountered the patients whom he would write about in his book Awakenings. Dr. Sacks spent almost fifty years working as a neurologist and wrote many books, including The Man Who Mistook His Wife for a Hat, Musicophilia, and Hallucinations, about the strange neurological predicaments and conditions of his patients. The New York Times referred to him as "the poet laureate of medicine," and over the years he received many awards, including honors from the Guggenheim Foundation, the National Science Foundation, the American Academy of Arts and Letters, and the Royal College of Physicians. His memoir, On the Move, was published shortly before his death in August 2015. For more information, please visit www.oliversacks.com.

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Product details

Hardcover: 64 pages

Publisher: Knopf; 1 edition (November 24, 2015)

Language: English

ISBN-10: 0451492935

ISBN-13: 978-0451492937

Product Dimensions:

5.1 x 0.5 x 7.2 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

310 customer reviews

Amazon Best Sellers Rank:

#7,753 in Books (See Top 100 in Books)

I became aware of Oliver Sacks only in the last year or two of his life, through interviews, articles about his essays and autobiography, and his contributions to WNYC's Radiolab. Every time I heard him speak or read his words, I was struck by what a beautiful, gentle man he seemed to be. And when I heard he had been diagnosed with metastatic cancer and was about to die, I was deeply saddened. His story, which I had just come to know, was coming to an end.This book is a very short read... A collection of some of his final essays. Though I had read some of them before - or heard him tell some of these stories in interviews, reading them again reminds me about what I love about Oliver Sacks' perspective and reminds me about what I'm grateful about in my own life.

I read Gratitude as soon as I received it, and will read it again, over and over. It is especially comforting to someone moving through their later years. Oliver Sacks always had a special place in my heart.....a beautiful, brilliant, tender soul. He'll be missed.

A neurologist who gained his greatest renown for his ability to write about his profession in a thoroughly human way, Oliver Sacks passed away in August of 2015. His literary legacy consists of these four short, personal, profound essays written in the last two years of his life as he contemplated the facts of age and dying.The essays are presented in chronological order, beginning with “Mercury," in which Sacks recounts his love of elements and atomic numbers, allowing him to state “at seventy-nine, I am gold.” He enumerates some of the negative aspects of aging, such as slowing reactions, flagging energies, the tendency to forget names, and the looming fears of “dementia and stroke.” But he can still declare that he’s looking forward to being 80. “My Own Life” was composed after his diagnosis of a recurrence of fatal cancer. Here he cites philosopher David Hume, who wrote, at a similar juncture, “I now reckon upon a speedy dissolution.” He harks back to his attraction to the elements in “My Periodic Table.” He notes that on his desk is a “little lead casket” for his 82nd birthday, wonders if he will live to see bismuth (83), and feels almost sure he will miss the murderously radioactive 84th: polonium.In “Sabbath,” the last of the four writings, Sacks recalls growing up in a close-knit orthodox Jewish home, and particularly the rituals of Shabbos: “Kiddush accompanied by sweet red wine and honey cakes…” But this idyllic cultural picture was fractured when Sacks admitted to his father that he had sexual feelings for other boys. His mother shrieked at him, making him hate religion. Leaving home, he struggled with addiction to amphetamines, but later found stability and solace in the work that inspired his book AWAKENINGS.Thus began a “lonely but deeply satisfying, almost monkish existence.” Sacks devoted himself to the case histories of his and other patients, those whose unique maladies, always presented with respect, even reverence, provided material for popular books like THE MAN WHO MISTOOK HIS WIFE FOR A HAT and SEEING VOICES. Much later, Sacks was inspired by a cousin to visit Israel and then celebrate Sabbath with his orthodox relatives --- “a stopped world, a time outside time.”In the certainty of approaching death, “Sabbath” concludes with the author’s hope that the “seventh day of one’s life” will bring longed-for peace and rest.Reviewed by Barbara Bamberger Scott

I appreciate the perspective of gratitude an ,and the brevity is refreshing. Well done. Worth reading daily,May I have such a calm about me

I can count on one hand the number of books I recall giving a five star rating. I just do do it lighly. however, in his calm and ever rational self, Oliver Sacks would be equally impressed that felt this rating approprste. this is a book to savor your life and to also prepare for the final passing. the opening quote tells all in the way only Dr. Oliver Sacks could do. it reads:I am now face to face with dying, Yet I'm not done with living. here, I can yes, I did enjoy an afternoon sitting on marble steps and eating Ice Cream with Dr. Sacks. I was reeling from a very poorly understood diagnoses on my youngest Child. Dr Sacks took his afternoon to explain it all in great detail. that stregenth end me. by the time the Ice cream was long gone and enjoyed, Dr. Sachs had equipped me with greater understanding than many of my sons Doctors had in those early years. I for one, will never forget this intelligent, very kind person. rest well Dr Oliver Sacks.

Gratitude is a short but profound reflection on life and death, "what is meant by living a good and worthwhile life--achieving a sense of peace within oneself" (p. 45). Rather than focusing on loss as his life came to an end, Sacks reflected on the those things that gave meaning to his life, including the joys and hopes, griefs and disappointments. All taught him something that gave meaning to his journey.This book is beautifully set, printed and bound, and would make a wonderful gift for those moving on in years to help them too reflect on the meaning of their lives. With just four short essays it can easily be read in a moment of quiet at home, in a park, at the beach, on a mountain trail, during a personal retreat. It is sure to enrich those who will pause long enough to read and reflect. And in our time in the U.S. when more States are considering physician assisted suicide, it can add a new dimension to the discussion.

All of these short essays have appeared elsewhere, but it is wonderful to read Oliver Sacks' thoughts written under the certain sentence of death from cancer. I hope that reading these short essays encourages others to go back to explore the rich delights found in his earlier books.

I absolutely love all the previous books I've read by Oliver Sacks. This one was just too short (64 very small pages), and too lacking in substance. Such a great and fascinating man. I don't regret buying it for Dr. Sacks' estate and in his honor. But I would hardly recommend it. Read his other books, if you haven't already.

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Ebook Bainite in SteelsBy H K Bhadeshia

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• Sales Rank: #10561449 in Books
• Published on: 2001
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 6.50" w x 1.25" l, .0 pounds
• Binding: Hardcover
• 512 pages

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Ebook Ghostly Demarcations: A Symposium on Jacques Derrida's Specters of Marx (Radical Thinkers), by Jacques Derrida

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Review

“Virtually every area of humanistic scholarship and artistic creativity in the latter part of the 20th century felt the influence of the French philosopher Jacques Derrida.”—Guardian“Fredric Jameson is probably the most important cultural critic writing in English today ... It can truly be said that nothing cultural is alien to him.”—Colin MacCabe“Antonio Negri is one of the most significant figures of current political thought.”—New Statesman

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About the Author

Michael Sprinker was Professor of English and Comparative Literature at the State University of New York at Stony Brook. His Imaginary Relations: Aesthetics and Ideology in the History of Historical Materialism and History and Ideology in Proust are also published by Verso. Together with Mike Davis, he founded Verso’s Haymarket Series and guided it until his death in 1999.Aijaz Ahmad is a renowned cultural theorist who has taught in several western and Indian universities. A frequent contributor to Frontline magazine, he currently lives in New Delhi.Jacques Derrida was Director of Studies at the Ecole Pratique des Hautes Etudes en Sciences Sociales in Paris. English translations of his work include Given Time, Memories of the Blind, Specters of Marx, The Politics of Friendship, and The Gift of Death.Terry Eagleton is Professor of Cultural Theory and John Rylands Fellow, University of Manchester. His other books include Ideology; The Function of Criticism; Heathcliff and the Great Hunger; Against the Grain; Walter Benjamin; and Criticism and Ideology, all from Verso.Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has over the last three decades developed a richly nuanced vision of Western culture’s relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism, The Cultural Turn, A Singular Modernity, The Modernist Papers, Archaeologies of the Future, Brecht and Method, Ideologies of Theory, Valences of the Dialectic, The Hegel Variations and Representing Capital.Warren Montag is Associate Professor of English at Occidental College, Los Angeles. He is the author of Bodies, Masses, Power: Spinoza and his Contemporaries and the Unthinkable Swift.Antonio Negri has taught philosophy and political science at the Universities of Padua and Paris; he has also been a political prisoner in Italy and a political refugee in France. He is the author of over thirty books, including Political Descartes, Marx Beyond Marx, The Savage Anomaly, The Politics of Subversion, Insurgencies, Subversive Spinoza, and Time for Revolution, and, in collaboration with Michael Hardt, Labor of Dionysus, Empire and Multitude. He currently lives in Paris and Venice.

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Product details

Series: Radical Thinkers (Book 33)

Paperback: 288 pages

Publisher: Verso (January 17, 2008)

Language: English

ISBN-10: 1844672115

ISBN-13: 978-1844672110

Product Dimensions:

5.2 x 0.6 x 8 inches

Shipping Weight: 11.4 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#164,580 in Books (See Top 100 in Books)

This book was a revelation. It resounds with the calls of thresholds and clamorings just over the horizon, if only... if only we... what? Think? Let Be? Open?Three essays are sparkling: Jameson's is a warm up for the approach. And that is no faint praise. He is so lucidly (Derrida's word) clear about the stakes here (getting to that threshold, at a minimum), that the reader just might imagine being ready to go that next step (not) beyond.The next two that I cite are indispensable works in aspirational thinking. First Derrida's. I enjoy Derrida's rejoinder writings. I think here also of his demolition of Searle in Limited Inc. Here a beginning reader might, with patience, find elucidating markers along the way to comprehending what Derrida's life of writing and generating provoking concepts such as deconstruction, messianistic, differance have cared for: to move beyond the threshold that metaphysics and ontology have staked out as our "ground," and instead move into a living engendering of aspiration around each "saying" we proffer and posit. His discussion of the "messianistic without messianism" is strikingly vivid. His flagging of a way for reading him, by noting the inclusion of the word, "perhaps," is also a gift, as he says that the statements marked by this word are those that concern him the most. And that instruction can be heeded in the reading of this essay as well.Now for Hamacher's essay. This is a seminal, essential, founding essay -- Derrida says "luminous, powerful gestures -- on the ways to enacting a life of aspiring commitment. He frames notions, words and (af)formulations we must undertake to engage as an aspiration moves from what is (af)figured into to what is to be per-formed. This spacing of lingual fragments depicts precisely that notion of "letting be" that Hamacher (not Heidegger) offers as that full grasping of the aspiration at the threshold at which change, event, expansive occurrence is about to be broached by a living (any living?) being. Hamacher is next (after Derrida, Deleuze/Guattari).[Qualifying Note: This essay, I said is "founding," I need to qualify that. It has this status in the line of (true) Thought as evoked by the great French thinkers in the post-WWII and '68-affected era. But it is perhaps Kierkegaard's Fear and Trembling that rightfully can claim this "founding" status.]I agree with Derrida's dismissal of Eagleton and Lewis, and his respectful disdain of Ahmad, to whom I think he gives too much accrediting attention. I found the writings of Macherey and Montag to be tenderly aware of the materialist constipations that surround the Althusser circle (and who Derrida rightly claimed friendship, as he means the term), but still good company along the way.That said, the way Derrida ends his essay, in a plea for detente with Negri, sent my soul soaring by his commentary on "ontology" as a shibboleth between Thought-making "marranos." This term, the most derogatory epithet hurled at the post-Inqjuisition/Expulsion Spanish/Portuguese Jewws (in the 15th Century), evokes the status of this group of outcasts. Negri and Derrida, both experiencing prison cells (for different reasons and on different scales), are friends. And they are outcasts from the mainstream, each in their own ways. Both feel viscerally, perhaps, the staleness of the academic air behind them as they stand together on the threshold, each about to leap off in different directions, but both away from that stifling enclosed and self-congratulating deadness of the academic and legal establishments. As they leap, each feels different pulls and weights, thus also take up different inertias along their lines of flight. But Derrida's plea, remains so alive: he seems to say, Negri, my friend, we need each other, and our disciples, adherents, readers and fellow-aspiring souls, on this journey we each undertake.This book lays out the work of some of the masters on this way, and Derrida, with his Marrano companion -- Hamacher as the encryptor of shibboleths, and Jameson as the usher on the near side -- get us far along towards,... the open?... or... perhaps... what..?... waits?If you are preparing to set out on your way in an aspiring role, take these guides, these prophets, with you.

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Fred Engels said once that each generation of philosophers try arduously to soar higher in the sky than the previous, and here although one can see the value in the Left engaging with such a formidable thinker as Derrida, I would think the Left had better things to do,like the set of probelmatics concerning the globalization/exploitation of international labour,the eroding of the democratic state,the banality of neo-liberalism and its future. Perhaps the ultimate question here is what value emits itself after we read the various brilliant but ultimately marginal excursions/commentary into Derrida's work "Spectres of Marx". Derrida never claimed to be a Marxist and it is self-evident that he is merely attempting to arrest Marxism as countless others have, expunging it away,diluting its content from the level of intellectual discourse it rightly deserves. Derrida's body of work takened wholly refuses the content of such an arduous task ,being continually directly referred backwards to Heidegger and an affinity of the durational frame of the past reprisals into "what was" rather than what can be. Jameson's piece from a few years ago is the most comprehensive here, for he is always an excellent assembler of varigated,yet focused tracking like with a conceptual microscope the intellectual history of Derrida's thought. But Derrida's response to Jameson's response where Jameson's had erroneous placed the aesthetic in the field of play is a good example of indulgent useless bickering. Of course Derrida denies that the aesthetic is an integral component of his thought although he depends upon it continuously for his performative acts at creating new jargons,the conceptual 'writing' freedoms and cross genres (is this literature,a lecture- sketch, or philosophy, or art??) and incessant cross and inter-breeding of thoughts,fragments of excerpts, half-references to the Western panoply of thought from Freud,Heidegger etc. I think that is the ultimate problem with Derrida,he cannot convincingly deny any perspective,(although he has say obviously the opposite in interviews) in that his work seems to ascribe to conceptual indulgences and playfullness. Eagleton is also brilliant here and takes the more New Left perspective,which is old now, which still has vibrant points which again ultimately ponders the relationship of Marxism to various other ideological departures as deconstruction,Messianism and post-structuralism.I think ultimately we are barking up the wrong tree here for ultimately the lens which Derrida looks through(his body of thought) is so far removed from the problematics which Marxism(defined here in it's widest liberal sense) has developed throughout its long and tortured history,that again there are indeed larger dimensions to pursue.

Can a thought be considered the private property of epigones? Extraordinary book, containing the reactions of Marx's most passionate interpreters alive to Derrida's unique approach to marxism. The debate generated by the differences of all these thinkers that participated in the symposium is both an inspiration and a warning of what may be committed in the name of a thought. Derrida's lucidity to the provocations and invitations extended by his readers is of quirurgical precision. The limits and the possibilities offered by marxist thought are however not passed by at any moment. Recommended to all those that are into deconstruction, or just plain methodical, consequential thought.

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Ebook Download Advancing Conversations: Srecko Horvat - Subversion!By Srećko Horvat, Alfie Bown

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In a world dominated by capitalism which is dangerously sliding into a new kind of fascism, Srećko Horvat's new book explores the concept of subverting the dominant paradigm in politics, technology and love. Drawing from his own experience of participating in different protest movements all around the world, working closely with WikiLeaks and being one of the protagonists of the Democracy in Europe Movement 2025, Horvat resists the prevailing melancholy of the Left by offering new political imagination beyond traditional concepts. Instead of the tension between horizontal movements or vertical political parties, “Subversion” opts for a radical dialectics of both methods as the only way out of our current deadlock. If there is a crack in everything, the way to use the light that gets in is constructive subversion.

• Sales Rank: #1128136 in Books
• Published on: 2017-02-28
• Original language: English
• Dimensions: 8.54" h x .26" w x 5.40" l,
• Binding: Paperback
• 96 pages

Review
Based on rich personal experience and participation in constructive subversion, along with wide reading from classics to the latest dreams of artificial intelligence, Horvat leads us on a whirlwind tour of the maladies and discontents of modern civilization and the many ways to right what is wrong and achieve a better future. (Noam Chomsky, MIT)

History has only produced decency when good people infiltrated despotic institutions and succeeded in subverting them, often at a terrible cost to themselves. Horvat explains brilliantly subversion's creative potential, in juxtaposition to isolationism and escapism which are the establishment's best friends. (Yanis Varoufakis, Economist, former Finance Minister of Greece)

About the Author
Srećko Horvat is a philosopher and author of more than 10 books, most recently "The Radicality of Love" (Polity Press, 2015) and "What Does Europe Want?" (together with Slavoj Žižek, Columbia University Press, 2013). He is one of the founders of Democracy in Europe Movement (DiEM25)

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Free Download Hamlet: The Texts of 1603 and 1623 (Arden Shakespeare: Third Series)By William Shakespeare

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This second volume gives readers the First Quarto text of 1603 and The Folio Text of 1623, fully modernised and edited to the usual Arden standard. A companion to the core volume, it will be of particular interest to scholars and students of textual history, or to anyone studying Hamlet at an advanced level. Both play texts are fully edited and collated and the volume has a full Introduction which gives special attention to the 1603 First Quarto text

• Sales Rank: #5292086 in Books
• Published on: 2006-03-22
• Released on: 2006-03-22
• Original language: English
• Number of items: 1
• Dimensions: .90" h x 5.60" w x 8.12" l,
• Binding: Hardcover
• 384 pages

Review
"The Arden3 Hamlet is fascinating, and every Shakespeare scholar will want to possess it. The editors' approach is attuned to the relativism, pluralism, and skepticism of our time, and it is defended with remarkable thoroughness and intelligence....Thompson and Taylor's introductory material is in line with their treatment of the text...they are concerned to introduce the reader to the multitude of diverse critical approaches and to the variety within the developing theatrical tradition. They do this very well, and their discussion of Hamlet on stage and screen and of its offshoots in drama and fiction fills a notable gap...The full and consistently interesting commentary is also enlivened by snippets of information about performances...Thompson and Taylor have made an innovative and stimulating contribution to the Arden3 series."—Shakespeare Quarterly  "Hamlet...has been given a rebirth of sorts by editors Ann Thompson and Neil Taylor... puts the final pieces of the "puzzle of Hamlet" into place by publishing...updated versions of both the First Quarto and First Folio editions of the play. This wonderful ternion gives the serious students of Hamlet everything they need to delve deeply into the Dane. The textual annotations are extensive and worth the price of the book alone. None of the material is duplicated from the Hamlet: Arden Third Series, so this is all new commentary from two of the brightest minds in the world of Shakespeare... Delivers the quality you've come to expect from Arden."—PlayShakespeare.com

About the Author
William Shakespeare (1564-1616) was an English dramatist, poet, and actor, generally regarded as the greatest playwright of all time.

ANN THOMPSON is Professor of English and Director of the London Shakespeare Centre and King's College London

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