Minggu, 31 Juli 2011

Ebook Ghostly Demarcations: A Symposium on Jacques Derrida's Specters of Marx (Radical Thinkers), by Jacques Derrida

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Ghostly Demarcations: A Symposium on Jacques Derrida's Specters of Marx (Radical Thinkers), by Jacques Derrida


Ghostly Demarcations: A Symposium on Jacques Derrida's Specters of Marx (Radical Thinkers), by Jacques Derrida


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Ghostly Demarcations: A Symposium on Jacques Derrida's Specters of Marx (Radical Thinkers), by Jacques Derrida

Review

“Virtually every area of humanistic scholarship and artistic creativity in the latter part of the 20th century felt the influence of the French philosopher Jacques Derrida.”—Guardian“Fredric Jameson is probably the most important cultural critic writing in English today ... It can truly be said that nothing cultural is alien to him.”—Colin MacCabe“Antonio Negri is one of the most significant figures of current political thought.”—New Statesman

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About the Author

Michael Sprinker was Professor of English and Comparative Literature at the State University of New York at Stony Brook. His Imaginary Relations: Aesthetics and Ideology in the History of Historical Materialism and History and Ideology in Proust are also published by Verso. Together with Mike Davis, he founded Verso’s Haymarket Series and guided it until his death in 1999.Aijaz Ahmad is a renowned cultural theorist who has taught in several western and Indian universities. A frequent contributor to Frontline magazine, he currently lives in New Delhi.Jacques Derrida was Director of Studies at the Ecole Pratique des Hautes Etudes en Sciences Sociales in Paris. English translations of his work include Given Time, Memories of the Blind, Specters of Marx, The Politics of Friendship, and The Gift of Death.Terry Eagleton is Professor of Cultural Theory and John Rylands Fellow, University of Manchester. His other books include Ideology; The Function of Criticism; Heathcliff and the Great Hunger; Against the Grain; Walter Benjamin; and Criticism and Ideology, all from Verso.Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has over the last three decades developed a richly nuanced vision of Western culture’s relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism, The Cultural Turn, A Singular Modernity, The Modernist Papers, Archaeologies of the Future, Brecht and Method, Ideologies of Theory, Valences of the Dialectic, The Hegel Variations and Representing Capital.Warren Montag is Associate Professor of English at Occidental College, Los Angeles. He is the author of Bodies, Masses, Power: Spinoza and his Contemporaries and the Unthinkable Swift.Antonio Negri has taught philosophy and political science at the Universities of Padua and Paris; he has also been a political prisoner in Italy and a political refugee in France. He is the author of over thirty books, including Political Descartes, Marx Beyond Marx, The Savage Anomaly, The Politics of Subversion, Insurgencies, Subversive Spinoza, and Time for Revolution, and, in collaboration with Michael Hardt, Labor of Dionysus, Empire and Multitude. He currently lives in Paris and Venice.

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Product details

Series: Radical Thinkers (Book 33)

Paperback: 288 pages

Publisher: Verso (January 17, 2008)

Language: English

ISBN-10: 1844672115

ISBN-13: 978-1844672110

Product Dimensions:

5.2 x 0.6 x 8 inches

Shipping Weight: 11.4 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#164,580 in Books (See Top 100 in Books)

This book was a revelation. It resounds with the calls of thresholds and clamorings just over the horizon, if only... if only we... what? Think? Let Be? Open?Three essays are sparkling: Jameson's is a warm up for the approach. And that is no faint praise. He is so lucidly (Derrida's word) clear about the stakes here (getting to that threshold, at a minimum), that the reader just might imagine being ready to go that next step (not) beyond.The next two that I cite are indispensable works in aspirational thinking. First Derrida's. I enjoy Derrida's rejoinder writings. I think here also of his demolition of Searle in Limited Inc. Here a beginning reader might, with patience, find elucidating markers along the way to comprehending what Derrida's life of writing and generating provoking concepts such as deconstruction, messianistic, differance have cared for: to move beyond the threshold that metaphysics and ontology have staked out as our "ground," and instead move into a living engendering of aspiration around each "saying" we proffer and posit. His discussion of the "messianistic without messianism" is strikingly vivid. His flagging of a way for reading him, by noting the inclusion of the word, "perhaps," is also a gift, as he says that the statements marked by this word are those that concern him the most. And that instruction can be heeded in the reading of this essay as well.Now for Hamacher's essay. This is a seminal, essential, founding essay -- Derrida says "luminous, powerful gestures -- on the ways to enacting a life of aspiring commitment. He frames notions, words and (af)formulations we must undertake to engage as an aspiration moves from what is (af)figured into to what is to be per-formed. This spacing of lingual fragments depicts precisely that notion of "letting be" that Hamacher (not Heidegger) offers as that full grasping of the aspiration at the threshold at which change, event, expansive occurrence is about to be broached by a living (any living?) being. Hamacher is next (after Derrida, Deleuze/Guattari).[Qualifying Note: This essay, I said is "founding," I need to qualify that. It has this status in the line of (true) Thought as evoked by the great French thinkers in the post-WWII and '68-affected era. But it is perhaps Kierkegaard's Fear and Trembling that rightfully can claim this "founding" status.]I agree with Derrida's dismissal of Eagleton and Lewis, and his respectful disdain of Ahmad, to whom I think he gives too much accrediting attention. I found the writings of Macherey and Montag to be tenderly aware of the materialist constipations that surround the Althusser circle (and who Derrida rightly claimed friendship, as he means the term), but still good company along the way.That said, the way Derrida ends his essay, in a plea for detente with Negri, sent my soul soaring by his commentary on "ontology" as a shibboleth between Thought-making "marranos." This term, the most derogatory epithet hurled at the post-Inqjuisition/Expulsion Spanish/Portuguese Jewws (in the 15th Century), evokes the status of this group of outcasts. Negri and Derrida, both experiencing prison cells (for different reasons and on different scales), are friends. And they are outcasts from the mainstream, each in their own ways. Both feel viscerally, perhaps, the staleness of the academic air behind them as they stand together on the threshold, each about to leap off in different directions, but both away from that stifling enclosed and self-congratulating deadness of the academic and legal establishments. As they leap, each feels different pulls and weights, thus also take up different inertias along their lines of flight. But Derrida's plea, remains so alive: he seems to say, Negri, my friend, we need each other, and our disciples, adherents, readers and fellow-aspiring souls, on this journey we each undertake.This book lays out the work of some of the masters on this way, and Derrida, with his Marrano companion -- Hamacher as the encryptor of shibboleths, and Jameson as the usher on the near side -- get us far along towards,... the open?... or... perhaps... what..?... waits?If you are preparing to set out on your way in an aspiring role, take these guides, these prophets, with you.

Great!

Fred Engels said once that each generation of philosophers try arduously to soar higher in the sky than the previous, and here although one can see the value in the Left engaging with such a formidable thinker as Derrida, I would think the Left had better things to do,like the set of probelmatics concerning the globalization/exploitation of international labour,the eroding of the democratic state,the banality of neo-liberalism and its future. Perhaps the ultimate question here is what value emits itself after we read the various brilliant but ultimately marginal excursions/commentary into Derrida's work "Spectres of Marx". Derrida never claimed to be a Marxist and it is self-evident that he is merely attempting to arrest Marxism as countless others have, expunging it away,diluting its content from the level of intellectual discourse it rightly deserves. Derrida's body of work takened wholly refuses the content of such an arduous task ,being continually directly referred backwards to Heidegger and an affinity of the durational frame of the past reprisals into "what was" rather than what can be. Jameson's piece from a few years ago is the most comprehensive here, for he is always an excellent assembler of varigated,yet focused tracking like with a conceptual microscope the intellectual history of Derrida's thought. But Derrida's response to Jameson's response where Jameson's had erroneous placed the aesthetic in the field of play is a good example of indulgent useless bickering. Of course Derrida denies that the aesthetic is an integral component of his thought although he depends upon it continuously for his performative acts at creating new jargons,the conceptual 'writing' freedoms and cross genres (is this literature,a lecture- sketch, or philosophy, or art??) and incessant cross and inter-breeding of thoughts,fragments of excerpts, half-references to the Western panoply of thought from Freud,Heidegger etc. I think that is the ultimate problem with Derrida,he cannot convincingly deny any perspective,(although he has say obviously the opposite in interviews) in that his work seems to ascribe to conceptual indulgences and playfullness. Eagleton is also brilliant here and takes the more New Left perspective,which is old now, which still has vibrant points which again ultimately ponders the relationship of Marxism to various other ideological departures as deconstruction,Messianism and post-structuralism.I think ultimately we are barking up the wrong tree here for ultimately the lens which Derrida looks through(his body of thought) is so far removed from the problematics which Marxism(defined here in it's widest liberal sense) has developed throughout its long and tortured history,that again there are indeed larger dimensions to pursue.

Can a thought be considered the private property of epigones? Extraordinary book, containing the reactions of Marx's most passionate interpreters alive to Derrida's unique approach to marxism. The debate generated by the differences of all these thinkers that participated in the symposium is both an inspiration and a warning of what may be committed in the name of a thought. Derrida's lucidity to the provocations and invitations extended by his readers is of quirurgical precision. The limits and the possibilities offered by marxist thought are however not passed by at any moment. Recommended to all those that are into deconstruction, or just plain methodical, consequential thought.

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Senin, 25 Juli 2011

Ebook Download Advancing Conversations: Srecko Horvat - Subversion!By Srećko Horvat, Alfie Bown

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Advancing Conversations: Srecko Horvat - Subversion!By Srećko Horvat, Alfie Bown

In a world dominated by capitalism which is dangerously sliding into a new kind of fascism, Srećko Horvat's new book explores the concept of subverting the dominant paradigm in politics, technology and love. Drawing from his own experience of participating in different protest movements all around the world, working closely with WikiLeaks and being one of the protagonists of the Democracy in Europe Movement 2025, Horvat resists the prevailing melancholy of the Left by offering new political imagination beyond traditional concepts. Instead of the tension between horizontal movements or vertical political parties, “Subversion” opts for a radical dialectics of both methods as the only way out of our current deadlock. If there is a crack in everything, the way to use the light that gets in is constructive subversion.

  • Sales Rank: #1128136 in Books
  • Published on: 2017-02-28
  • Original language: English
  • Dimensions: 8.54" h x .26" w x 5.40" l,
  • Binding: Paperback
  • 96 pages

Review
Based on rich personal experience and participation in constructive subversion, along with wide reading from classics to the latest dreams of artificial intelligence, Horvat leads us on a whirlwind tour of the maladies and discontents of modern civilization and the many ways to right what is wrong and achieve a better future. (Noam Chomsky, MIT)

History has only produced decency when good people infiltrated despotic institutions and succeeded in subverting them, often at a terrible cost to themselves. Horvat explains brilliantly subversion's creative potential, in juxtaposition to isolationism and escapism which are the establishment's best friends. (Yanis Varoufakis, Economist, former Finance Minister of Greece)

About the Author
Srećko Horvat is a philosopher and author of more than 10 books, most recently "The Radicality of Love" (Polity Press, 2015) and "What Does Europe Want?" (together with Slavoj Žižek, Columbia University Press, 2013). He is one of the founders of Democracy in Europe Movement (DiEM25)

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Sabtu, 09 Juli 2011

Free Download Hamlet: The Texts of 1603 and 1623 (Arden Shakespeare: Third Series)By William Shakespeare

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Hamlet: The Texts of 1603 and 1623 (Arden Shakespeare: Third Series)By William Shakespeare

This second volume gives readers the First Quarto text of 1603 and The Folio Text of 1623, fully modernised and edited to the usual Arden standard. A companion to the core volume, it will be of particular interest to scholars and students of textual history, or to anyone studying Hamlet at an advanced level. Both play texts are fully edited and collated and the volume has a full Introduction which gives special attention to the 1603 First Quarto text

  • Sales Rank: #5292086 in Books
  • Published on: 2006-03-22
  • Released on: 2006-03-22
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 5.60" w x 8.12" l,
  • Binding: Hardcover
  • 384 pages

Review
"The Arden3 Hamlet is fascinating, and every Shakespeare scholar will want to possess it. The editors' approach is attuned to the relativism, pluralism, and skepticism of our time, and it is defended with remarkable thoroughness and intelligence....Thompson and Taylor's introductory material is in line with their treatment of the text...they are concerned to introduce the reader to the multitude of diverse critical approaches and to the variety within the developing theatrical tradition. They do this very well, and their discussion of Hamlet on stage and screen and of its offshoots in drama and fiction fills a notable gap...The full and consistently interesting commentary is also enlivened by snippets of information about performances...Thompson and Taylor have made an innovative and stimulating contribution to the Arden3 series."—Shakespeare Quarterly  "Hamlet...has been given a rebirth of sorts by editors Ann Thompson and Neil Taylor... puts the final pieces of the "puzzle of Hamlet" into place by publishing...updated versions of both the First Quarto and First Folio editions of the play. This wonderful ternion gives the serious students of Hamlet everything they need to delve deeply into the Dane. The textual annotations are extensive and worth the price of the book alone. None of the material is duplicated from the Hamlet: Arden Third Series, so this is all new commentary from two of the brightest minds in the world of Shakespeare... Delivers the quality you've come to expect from Arden."—PlayShakespeare.com

About the Author
William Shakespeare (1564-1616) was an English dramatist, poet, and actor, generally regarded as the greatest playwright of all time.

ANN THOMPSON is Professor of English and Director of the London Shakespeare Centre and King's College London

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